Discover the Danish Design Classics We Reimagine

The chair that flew ahead of its time

Finn Juhl (1912–1989) described himself as a self-taught furniture designer. Though he initially aspired to be an art historian, his father encouraged him to pursue architecture. However, his passion for furniture design soon took over, and he became one of the leading figures in Danish Modernism.

Unlike many of his contemporaries, Finn Juhl approached furniture design as an art form rather than purely functional objects. He viewed his creations as sculptures, working extensively with organic shapes and seamless transitions between elements—striving for a unified, almost invisible structure.

In 1940, he introduced The Pelican Chair—a bold, avant-garde piece featuring soft curves, full upholstery, and hidden stitching. With its sculptural form and thick legs, it resembles a soaring bird. But The Pelican was ahead of its time; it was largely forgotten for decades before being reintroduced in 2001. Today, it stands as an icon of Danish design, fitting seamlessly into contemporary interiors.

At Brainchild, The Pelican takes flight in our collection, where it proudly joins our artistic interpretations of Danish furniture classics.

Small but strong

Designed by Arne Jacobsen in 1952, The Ant was originally created for the canteen of Novo Nordisk. With its narrow waist and three-legged design, the chair was meant to be space-saving and functional. However, in 1971, an additional leg was added to improve stability and prevent workplace accidents.

The Ant was a groundbreaking innovation in Danish design, being the first chair where the seat and backrest were formed as a single piece. Constructed from multiple layers of molded veneer, it introduced a new era of shell chairs—a technique that would go on to define modern furniture design. Lightweight, stackable, and sculptural, The Ant was a revolution in both form and function.

Although originally intended for professional spaces, The Ant eventually found its way into private homes, where it remains a beloved classic. At Brainchild, we honor its minimalist beauty and bold character, transforming its essence into a playful, artistic interpretation that adds both elegance and personality to any space.

A sculptural masterpiece

Designed in 1958 by Arne Jacobsen, The Egg is one of the most iconic chairs in modern design history. Created as part of Jacobsen’s visionary total design concept for the SAS Royal Hotel in Copenhagen, the chair was intended to contrast the hotel’s sleek, geometric exterior with a soft and organic interior.

At a time when designers were experimenting with raw materials and new forms, The Egg stood out as a sculptural, cocoon-like creation. Its curved, flowing lines offered privacy and comfort—perfect for the hotel’s lounge, where it was originally placed alongside The Swan. The two chairs share a common organic design language, with their fluid shapes and unified steel bases creating a cohesive aesthetic.

Since its debut, The Egg has become an undisputed design icon, seamlessly fitting into contemporary interiors while maintaining its timeless appeal. At Brainchild, The Egg holds a special place in our history as the first Danish furniture classic we reinterpreted. Our poster designs celebrate its sculptural beauty, keeping its legacy alive in modern homes.

Spreading into our homes like ripples in water

Arne Jacobsen is celebrated for his total design approach, where he considered every element of a space to create a harmonious whole. One of his most famous projects, the SAS Royal Hotel in Copenhagen, is a prime example of this vision. The hotel’s strict, geometric exterior was deliberately softened by an organic and welcoming interior—where The Drop chair played a key role.

Designed to embrace its guest while allowing full freedom of movement, The Drop was one of three chairs Jacobsen created for the hotel, alongside The Egg and The Swan. Together, they form an iconic trio that combines comfort with an elegant, sculptural aesthetic.

Though The Drop was out of production for years, it was revived in 2014—proving its timeless design and enduring relevance. Like ripples in water, its presence fades and returns, effortlessly fitting into modern interiors whenever it reappears.

At Brainchild, we understand why The Drop was one of Jacobsen’s personal favorites. Our artistic interpretation captures its elegance and fluidity, celebrating its place in Danish design history.

Decorative minimalism

Designed in 1947 by Hans J. Wegner, The Peacock Chair is a masterpiece of craftsmanship and innovative design. A pioneer of spindle chairs, Wegner sought to create furniture that was light, simple, and comfortable, making it accessible for homes of all sizes—from small apartments to grand villas.

Though The Peacock Chair was not originally intended to be decorative, its striking curved backrest naturally took on a sculptural quality. The flat, shaped spindles provide ergonomic support, making it both visually elegant and comfortable to sit in. It was Finn Juhl who first recognized its resemblance to a peacock’s feathers, giving the chair its now-famous name.

Wegner’s vision helped define a new era of Danish modernism, where functional furniture became everyday design icons. At Brainchild, we pay tribute to The Peacock Chair through our artistic interpretation, capturing its elegance and presence in a striking motif. Like the chair itself, our design is both eye-catching and timeless.

Did you know all of these Danish design classics?

We’ve explored 10 unique furniture icons—each a masterpiece in its own right and a key part of Danish design history. At Brainchild, we celebrate these timeless creations through our literal interpretations, bringing them to life in new and imaginative ways.

Discover our posters and explore how we pay tribute to these design legends. Add a touch of playful Scandinavian elegance to your home with artwork that honors the past while embracing the present.